{"id":393,"date":"2018-04-10T06:19:09","date_gmt":"2018-04-10T06:19:09","guid":{"rendered":"https:\/\/tenttis.shh.fi\/drupmigr\/index.php\/2018\/04\/10\/botanists-and-poets\/"},"modified":"2018-04-10T06:19:09","modified_gmt":"2018-04-10T06:19:09","slug":"botanists-and-poets","status":"publish","type":"post","link":"https:\/\/blogs.hanken.fi\/cers\/2018\/04\/10\/botanists-and-poets\/","title":{"rendered":"Botanists and poets"},"content":{"rendered":"<div>\n<div class=\"field field--name-body field--type-text-with-summary field--label-hidden\">\n<div class=\"field__items\">\n<div class=\"field__item even\">\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><i><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">\u201cThe botanist looking at a daffodil has no reason to dispute the right of the poet to look at the same object in a very different manner. There are many ways of playing. The point is not that one denies other people\u2019s games but that one is clear about the rules of one\u2019s own.\u201d<\/span><\/span><\/i><\/span><\/p>\n<p><!-- scald=6959:sdl_editor_representation --><\/p>\n<p><img decoding=\"async\" alt=\"blog_hannu_418.png\" src=\"https:\/\/blogs.hanken.fi\/wp-content\/uploads\/2019\/10\/blog_hannu_418-1.png\" style=\"height: 533px;width: 400px;float: right;margin-left: 20px;margin-right: 20px\" title=\"blog_hannu_418.png\"><\/p>\n<p><!-- END scald=6959 --><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">Those words, by the great sociologist Peter Berger, came to my mind one day while walking in the mountains surrounding Bergen. As I stood there at the edge of a cliff facing the ocean, I didn\u2019t exactly think about daffodils, but about the mountainous landscape. I thought about how it\u2019s been studied and looked at in so many ways. Geologists have had a keen interest in the formation of this landscape, studying how slowly moving glaciers have carved out the fjords that are so characteristic of Norway. On the other hand, during the Romantic period, painters such as J.C. Dahl studied this landscape in a different way. They wanted to capture the magnificence and spirit of it, in an effort to build a Norwegian national identity, during a time when Norway was in union with Sweden.<\/span><\/span><\/span><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">\u00a0<\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">I think it\u2019s safe to say that geologists and painters subscribe to wildly different ontologies. Natural scientists are concerned with very real matters in the sense of causes and effects, while artists belong to the realm of interpretations and meanings, which are real in a different way: they can form nations and cultures. As such, the botanist and the poet do indeed play by very different rules, but then again perhaps they don\u2019t mix very often today.<\/span><\/span><\/span><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">\u00a0<\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">The social sciences \u2013 which we as business school researchers are a part of \u2013 are pretty messy. In a metaphorical sense, here we have both \u201cbotanists\u201d and \u201cpoets\u201d playing the same game: for instance, they might study the same market phenomenon through surveys or through ethnographic participant observations. One of them is perhaps inspired by the image of the rational, detached scientist, while the other might look up to political theorists or cultural anthropologists. In the end, these researchers are looking for different types of knowledge. Using the framework by the philosopher J\u00fcrgen Habermas, academics in business schools can have a <i>technical interest<\/i> in establishing regularities and causalities in order to control processes, a <i>historical-hermeneutic interest<\/i> in understanding meanings within and across cultures, or they might have an <i>emancipatory interest<\/i> in identifying ideologies and sources of repressive structures. Mixing people who belong to different perspectives, and have different knowledge interests, can sometimes lead to imposing one\u2019s own rules to a whole other game. At its worst it can also lead to grave misunderstandings, and trench wars between different schools of thought. But most often I think mixing several discussions or \u2018games\u2019 is more a strength than a weakness.<\/span><\/span><\/span><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">\u00a0<\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">So how should we go about in learning to understand \u2018other people\u2019s games\u2019, as Peter Berger called them? Initially, I think this is to a large part made possible by the broad range and very high quality of the courses that we as doctoral students are offered. As an example, one course that I took back at Hanken acquainted me with hermeneutic interpretation, feminist theorizing and dramaturgical analysis, while another one here at NHH has taught me about experiments, meta-analyses, and formative and reflective measures.<\/span><\/span> <span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">My point is that I think both courses were outstanding, but content-wise they were from different planets. There is no \u2018one way\u2019 of doing good research. And as researchers \u2013 young and old \u2013 it\u2019s good to keep that in mind. We need to be exposed to a broad variety of perspectives, and most of all we need to take time to reflect on the meanings and implications of them. In the words of Mats Alvesson and Dan K\u00e4rreman, we should practice \u2018broad scholarship\u2019. It gives us more tools to answer a wider variety of questions, it enables us to have better conversations with our colleagues, and it helps us adopt a more reflexive stance towards our own work. By seeing the other perspective, we can better understand our own.<\/span><\/span><\/span><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">\u00a0<\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">What about the botanist and the poet then? The modern conception of arts and sciences as separate, distinct careers is not very old. It stems from the modernization and professionalization of the academic world, into a system where scientists specialize in narrow fields of expertise. In her book \u201cThe Philosophical Breakfast Club\u201d, philosopher Laura Snyder recounts how this conception of modern science was largely realized by four Cambridge scholars in the nineteenth century. Ironically, none of them fit the modern conception of a specialized scientist that they helped create. They conducted experiments and studied optics, but they also wrote poetry, studied architecture and translated Plato. Being a botanist doesn\u2019t mean that you can\u2019t be a poet too. There are indeed many ways of playing, as Berger noted, and we shouldn\u2019t be confined to one game.<\/span><\/span><\/span><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">\u00a0<\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\"><a href=\"https:\/\/www.hanken.fi\/en\/person\/hannu-tikkanen\"><em><span style=\"line-height:normal\"><span lang=\"EN-US\" style=\"font-size:12.0pt\" xml:lang=\"EN-US\"><span style=\"color:black\">Hannu Tikkanen<\/span><\/span><\/span><\/em><\/a><\/p>\n<p style=\"margin-bottom:.0001pt;text-align:justify\">Doctoral Student<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe botanist looking at a daffodil has no reason to dispute the right of the poet to look at the same object in a very different manner. There are many ways of playing. The point is not that one denies other people\u2019s games but that one is clear about the rules of one\u2019s own.\u201d Those <a href=\"https:\/\/blogs.hanken.fi\/cers\/2018\/04\/10\/botanists-and-poets\/\">&#8230;<\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-393","post","type-post","status-publish","format-standard","hentry","category-cers-blog"],"_links":{"self":[{"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/posts\/393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/comments?post=393"}],"version-history":[{"count":0,"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/posts\/393\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/media?parent=393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/categories?post=393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.hanken.fi\/cers\/wp-json\/wp\/v2\/tags?post=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}